
Engaged a valet de place this morning & sallied out to see the lions of Verona. For ancient city the streets are wide and straight. The Adige divides it in two parts, joined by several stone bridges -the Adige at Verona is about the size of the Seine at Paris. Numbers of military are seen in the streets - the fortifications are the most extensive in Northern Italy and at this time are garrisoned by 7000 men. Passing through the
piazza delle Erbe - the palace of one of Veronas greatest genius's Count Scipio Maffei stands conspicuous.
Close by is the
piazza dei Signori, surrounded by antique palaces, and in one corner occupied by the
tombs of the Scaligers - Lords of Padua in the 13th & 14th centuries. There are four that of Can Grande - (mentioned by Dante in the inferno) is the most magnificent. They are all in fine preservation after a lapse of four centuries and highly ornamental.
The church Sant' Anastasia built in the time of Scaligers is the largest of the numerous churches of Verona. With the Guide of Da Persica in hand - went over its numerous monuments, interesting as connected with the history of Italy and Lombardy - but less grand & sumptuous then those of Venice the cathedral is antique and curious, dating in part from the 8th & 9th centuries. As the lithographs and other strange figures in sculptures would indicate - among the paintings, blackened and discoloured by time, is one of the council of Trent of enormous dimensions, and the assumption of the virgin by Titian - taken by the french to Paris and returned.
Crossing the Adige by the
Bridge della Pietra two arches of which remain since the times of the Romans - entered the quarter of the city called the left of the Adige. The church St. Giorgio is near the gate and fortified wall called Bastione delle Boccare. The church has a fine pointing of Paul Veronese brilliant and fresh, which was also stolen by the french when they took Verona in 1797. Defended by the unfortunate arch duke Charles as Napoleon calls him, the fortifications are in part new, but some parts yet remain erected by the old lords of Verona - Scaliger or Can Grande - della Scala - and Viscounti (the friend of Petrarch) - but the stronger parts built by the Venetians.

The detached forts on the neighboring heights now constructing by the Austrians, command the walls, except these fortifications there is not much to be seen on this side the Adige. So passing the remains of a Roman theatre, recrossed the Adige by the Ponte Nuovo to the large square called Piazza Broe - where stands the pride of Verona, the venerable and
colossal Roman amphitheater. As at Rome only a part of the outer wall of the Colosseum remains, but internally the seats are complete - and of the nine Roman amphitheaters that I have seen this of Verona & the one at Niaines are the most perfect.
The evening being a clear moonlight, took a walk around it, which gives a solemn & venerable effect to this remnant of roman greatness. The opera at the Teatro Filarmonica which is one of the oldest theatres in Europe was well attended. The piece was the Templario - drawn from the Ivanhoe of Walter Scott. Guasco, the tenor that performed the part of Ivanhoe and prima donna Gabussi as Rebecca the Jewess sang admirably and were highly applauded.
The ladies in the boxes as well as the gentlemen in the pit kept up such a loud conversation - as to make a good deal of the performance inaudible. It is the opera of the season and has been frequently performed - the ballet of Niobe - and her unfortunate children was performed by a numerous company, many of the corps de ballet were fine looking girls - well formed persons arid sprightly in their movements - I take them to be Milanese -